Read Online or Download Dreaming of Michelangelo: Jewish Variations on a Modern Theme PDF
Similar Art History books
Engrossing essays that mirror the author’s colossal and sophisticated wisdom of the area. subject matters variety from the non secular rites of the Aztecs to fashionable american portray, from japanese artwork and faith to like and eroticism. Translated by means of Helen Lane.
Not like conventional artwork works, set up artwork has no self sufficient lifestyles. it is often created on the exhibition website, and its essence is spectator participation. set up paintings originated as an intensive artwork shape provided purely at replacement artwork areas; its assimilation into mainstream museums and galleries is a comparatively contemporary phenomenon.
In a piece of serious knowledge and perception, artwork critic and thinker Arthur Danto delivers a compact, masterful tour of Andy Warhol’s own, creative, and philosophical differences. Danto lines the evolution of the pop artist, together with his early reception, relationships with artists reminiscent of Jasper Johns and Robert Rauschenberg, and the manufacturing unit phenomenon.
Robert Hughes, who has shocked us with complete works on topics as sweeping and complicated because the background of Australia (The deadly Shore), the fashionable paintings stream (The surprise of the New), the character of yank paintings (American Visions), and the character of the United States itself as visible via its paintings (The tradition of Complaint), now turns his popular severe eye to 1 of paintings history’s so much compelling, enigmatic, and significant figures, Francisco José de Goya y Lucientes.
Additional resources for Dreaming of Michelangelo: Jewish Variations on a Modern Theme
Additionally, Barbara Mann, “Toward an realizing of Jewish Imagism,” faith and Literature 30, no. three (Autumn 1998): 23–45. 20. Shaul Tchernichovski, “Lenokhach Pesel Apollo” (Before a Statue of Apollo), in Shirim (Tel Aviv: Dvir, 1966), 1: 86–87. The verses quoted listed below are no longer so as of the poem; the interpretation of the final strains follows Barbara Mann, “Visions of Jewish Modernism,” Modernism/Modernity, thirteen, no. four (2006): nine. for an entire translation and context see Menachem Ribalow, The Flowering of recent Hebrew Literature: A quantity of Literary assessment (New York: Twayne Publishers, 1959), 88–122; Eisig Silberschlag, Saul Tschernichowsky: Poet of riot (Ithaca, long island: Cornell college Press, 1968), 97–98. 21. Cf. Martin Buber, “Cheruth: Eine Rede über Jugend und Religion,” in Der Jude und sein Judentum: Gesammelte Aufsätze und Reden (Gerlingen: Lambert Schneider, 1993), 126. 22. Neher, “Renaissance of Hebrew,” 28–29. 23. Mann, “Toward an figuring out of Jewish Imagism,” 26. Cf. additionally Mann, “Visions of Jewish Modernism,” 9–10. 24. Cf. Johann J. Winckelmann, Beschreibung des Apollon im Belvedere (1774), ed. Hans Zeller (Zurich: Atlantis Verlag, 1955), 220. 25. Tchernichovski, “Lenokhach Pesel Apollo,” 87. 26. Cf. Yaakov Shavit, Athens in Jerusalem: Classical Antiquity and Hellenism within the Making of the trendy Secular Jew, trans. Chaya Naor and Niki Werner (London: Littmann Library, 1997), 148–49. 27. in this topic see the wonderful essay by way of Lydia Goehr, “How to Do extra with phrases: perspectives of (Musical) Ekphrasis,” British magazine of Aesthetics 50, no. four (October 2010): 389–410. 28. Heraclitus, fragments (DK 22 B 48), Die Vorsokratiker, ed. Jaap Mansfeld (Stuttgart: Reclam, 1983), 1: 260. 29. Giorgio Vasari, Le vite de più eccellenti pittori, scultori e architettori, ed. Gaetano Milanesi (Florence: Sansoni, 1881), 7: 493–94. 30. Cf. Rilke, “Von einem der die Steine belauscht,” in Sämtliche Werke: Werkausgabe (Frankfurt am major: Insel Verlag, 1977), 4:347. 31. Ovid, Metamorphoses, 10. 241–43, trans. Rolfe Humphries (Bloomington: Indiana collage Press, 1983), 241. Cf. Victor I. Stoichita, The Pygmalion impression from Ovid to Hitchcock, trans. Alison Anderson (Chicago: college of Chicago Press, 2008), nine. 32. Kenneth Gross, The Dream of the relocating Statue (University Park: Pennsylvania college Press, 2006), 10. 33. Hugo von Hofmannsthal, “Die Frau ohne Schatten,” in Ausgewählte Werke in zwei Bänden (Frankfurt am major: S. Fischer, 1964), 2: 262. 34. Jean-Jacques Rosseau, “Pygmalion: Scéne lyrique,” in Oeuvres completes, ed. Bernard Gagnebin et al. (Paris: Bibliothèque de l. a. Pléiade, 1961), 2: 1224. For a close interpretations see Hans Sckommodau, Pygmalion bei Franzosen und Deutschen im 18. Jahrhundert (Wiesbaden: Franz Steiner Verlag, 1970), esp. 24–28; J. L. Carr, “Pygmalion and the Philosophes: The lively Statue in Eighteenth-Century France,” magazine of the Warburg and Courtauld Institutes 23, nos. 3–4 (July–December 1960), 239–55; Hermann Schlüter, Das Pygmalion-Symbol bei Rousseau, Hamann, Schiller: Drei Studien zur Geistesgeschichte der Goethezeit (Zurich: Juris Verlag, 1968), 11–44; Shierry M.